Some years ago, the symbolic director of the national Center of lyric artists (CNIPAL) Gérard Founau, about the recruitment of its “students” (17 currently of which 10 foreigners) pointed out me:  “If one has trouble to have ténors, one has some again more to have low”.  Useless to say that it appeared me very happy to the coming from the first recital of three of these young people, while learning me that there were some two in the new promotion (of which a good party, we offered, a little later, a pleasant one “concert of Christmas”).  And it added with pride:  “And of equal talent”.  This talent, one in had a proof with the benefit of Nika Guliashvili programmed with two others interpret (an “hour of tea” misogynous: in reality, their feminine foreseen partners had had engagements to the exterior one) and a pianist Nino Pavlennichvilt, very appreciated in the ungrateful role of accompanist that, in addition, conferred a lot of brilliances to the opening of The magpie thief (Rossini).  All sharply being applauded by the numerous public that had not left, in the home of the Opera, any empty seat.  Thus, the three categories of masculine singers fortunately were represented.  The baritone (type more current), this was with Alec Avedissian giving, in particular, a lot of charm to the serenade of the Gift Giovanni of Mozart; to the enticing stamp, to the supple phrasé, to the perfect style in the opera as in the melody.  The ténor, this was Xin Wang, embodying superbly, among others, the melancholic hero of the of Arles one (Cilea), especially remarkable in muted colors, vocalize them, the nuances of the line of song, the transmission ease; his sharp request to become more “polite”.  The Bulgarian one and this Chinese returning, in an impeccable, articulated French as it is it rarely even by our compatriots, the famous duet of the Fishermen of appears, appropriating itself really the score of Bizet.  At last, that to say of this low one?  Sumptuousness, consistency, volume, power, voice length, and which mastery in the interpretation!  Which in fact already the equal one of the prestigious colleagues and elder of the Georgian Guliashvili (often besides Slavs as him).  Brief, ideal, that this be for the Mozart as for the Rossini and Turned greenen.  Yes, once more, the director of the CNIPAL (and his team) did actually “the good choice”.